Well,
There's always this film...:mixedsmi:
-> http://en.wikipedia.org/wiki/The_Red_Baron_(film)
I hate doing this, Ed, because it may appear like I'm nit picking. In truth the cinematography of this movie was praised, but the historical inaccuracies were worse than the previous movie you linked to. This film suffers from modern mores that criticize war. At the time, this was not the case. Richtofen made it clear that he was in the business of killing and his quote about having his hunter's instinct satisfied for about 15 minutes after a kill says about all one needed to know about him.
His dictates to his squadron pilots to aim for the pilot in a single-ship aircraft and for the observer/gunner in a two-seater also shows the mindset of the man. He was a killer living in an age where patriotism was celebrated. He knew the most effective way to destroy the airplane in that era was to kill or seriously wound the pilot, and in a two-seater, it was more important to kill or seriously wound the gunner to neutralize that rear-firing machine gun, and then upon doing that, re-attack the observer scout and aim for the pilot! And I have another insight for people. That's precisely the same mentality present in today's military. That may shock people, but make no mistake about it. You can respect a foe who fights with honor, but fighting with honor still means finding the enemy and killing the enemy and that's the way it's always been and always will be.
Other errors were simply contrivances for film drama. The fact is Richtofen never shot down Brown and never met him in any context. The truth is that allied airman wanted to kill Richtofen even as they respected and feared him. I think it is hard for modern society to understand this. But, when making a movie, a producer and director should have the courage to make the movie in a manner reflecting the period being depicted vice warping the period to match current societal mores. For me, the vastly more intriguing story is to accurately depict how Richtofen ignored his medical traumas and continued to fight because that's what was expected of him. He knew he was suffering terrible headaches, blurry vision, and dizziness. But, in his era, you climbed into the plane and flew and pursued the enemy.
But, the single most dishonest aspect of this movie is again where the producers wanted to turn Richtofen in character into something he never was in reality -- a modern day anti-war pacifist. That was dishonest. The producers might as well used a fictional character and produced a moral play. But, instead, the film makers wanted to feast on the historical relevance of Richtofen's life and abuse it to send a political statement. The truth is Richtofen believed in Germany, believed in his country's efforts, and wished to support them to the fullest. His only forlorn moments was in his own calculations of Germany's plight with the entrance of the Americans. But, that was concern about Germany losing the war vice a moral objection to the war itself, much less questioning the morality of Germany's leadership under the Kaiser. Make no mistake, until the moment he died, Manfred F. Richtofen wanted Germany to win that war, firmly believed Germany had the moral right to win that war, and wanted to do everything possible to ensure that victory.
Again, either have the courage and intellectual honesty to tell the story straight and accurate, or make a purely fictional movie and tell the story you want to tell.
Ken